Seventy Something
The 7th step of project of Iranian artist born in 1990s and after, i.e., 1370s and after.
هفتادو7 / هفتمین گام پروژۀ هنر دهۀ هفتادی‌ها و بعد از آن در ایران
Hollow life / Shamim Amirjan
9-15 August 2024
Every year, some children in Iran are born with severe physical deformities due to their mothers’ drug addictions. These children only make up a small portion of the 7,000 babies born to addicted mothers, many of whom have suffered genital damage from drug use. The actual number of infants born with these physical deficiencies is unknown, as they are often the result of rape or unwanted pregnancies. They are often abandoned in the streets, dustbins, and sewers.
The problems faced by women who are addicted are increasing, as they are often treated as mere objects of sexual desire, disregarding their illnesses, physical conditions, and inhumane living situations.
پوک‌زا / شمیم امیرجان / متولد 1382
افتتاحیه: 19 مرداد 1403
سالانه در سراسر ایران کودکانی زاده می‌شوند با بدن‌هایی پوک. آن‌ها فقط بخشی از ۷۰۰۰ کودکی‌اند که مادرانی معتاد به مخدر دارند. مادرانی که گاه حتا اندام جنسیِ آن‌ها از فرط مصرف مخدر، سوخته و از بین رفته است. این آمار به‌طور قطع، نادقیق و حداقلی است و هیچ آمار دقیقی از نوزادان مبتلایی که نواقص جسمی غریبی دارند در دست نیست؛ چرا که بسیاری از آنان حاصل تجاوز یا بارداری ناخواسته‌اند و بسیاری از موارد در خیابان، زباله‌دان، راه‌آب و فاضلاب رها می‌شوند.
بسیاری از مصائبی که برای زنان معتاد پیش می‌آید ناشی از نگاهی است که آنان را فارغ از بیماری، نواقص، وضعیت بهداشتی و سبک زندگیِ نا انسانی، تنها و تنها اُبژه‌ای جنسی می‌انگارد.
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Seventy Something
This project has completed 7 steps so far and each time it has dealt with the visual works of a talented young Iranian artist born in 1990s and after, i.e., 1370s and after. Shahriyaran Art & Research Gallery’s new project, called “Seventy Something” will feature artwork created by Iranian young visual artists born in the 70s decade (Solar Hijri calendar).
As a part of this art and research project, through the year, an exhibition will be held for one of these artists. For our objective, we ground our conceptual inquiry in the philosophy of mathematics, where the numbers and dimensions will be reevaluated and the positive scientific formulations will be doubted. From non-minimalistic approaches to the formalist reading of David Hilbert and Reuben Hersh’s views in humanistic mathematics, they all are playful pretexts to conceptualize the art of a generation who are playing with scientific, moralistic and social norms.
The main difference between this Iranian generation of artists to the other ones is exactly that they are not sticking to the conventions, choose, or consume them; they are playing with them. [The 70s are] the creatures that are always being pointed to their generation, birthdate and decade as their different truths, and everything ends with this referral to the numbers.
“Seventy Something” is dealing with the art of this generation; A generation who are playing with artistic norms more explicitly and freely.
Seventy Something will include studying the common characteristics of this generation of Iranian visual artists and their needs, and analyzing the position of this generation in contemporary art of Iran. This project will be continuous such as all other projects in ShaarGallery.
شمیم امیرجان 1382